I try to build work that feels intentional and structured, even when the idea starts out instinctive. When I make something, I’m usually looking for the underlying logic that makes an image feel balanced. I like using systems like the golden ratio and Fibonacci spirals because they force me to understand why something looks right rather than just trusting a feeling.

I move across mediums depending on what the project needs. Sometimes I’ll sketch something physically, then rebuild it in Blender to study light, and then bring it into graphic design to refine the final composition. Switching between modes keeps the work alive for me, and lets me adapt the process to the idea instead of forcing the idea into one workflow.